Tuface’s
decision to lead a protest to register the dissatisfaction of Nigerians with
the performance of the incumbent administration and to reiterate the value of
government’s responsibility to the people was his finest moment as a citizen
and artiste. But it is also now, with his Jammeh-like volte-face, his worst
moment. His transformation into a champion of democratic values and voice of
the masses brought him added stardom and value. His retreat has turned him into
a revolutionary manqué. He deserves our understanding and sympathy.
When on 24th
January Tuface (Innocent Dibia) announced that he was going to lead, under the
umbrella of the Tuface Foundation, a mass protest against the economic policies
of the Buhari government, he immediately attracted public interest. A multiple
award-winning musician, a naturally talented stage performer and author of at
least two evergreen songs: “My African Queen” and “If Love is a Crime”, TuBaba,
as he is also known, sounded like he was moving from art to politics, and
seemed ready to answer to the true calling of the artist as the conscience of
the people.
Artists and
creative persons have always led protests and lent their voices to progressive
causes. That much is the case in the United States at the moment, where
artistes have raised their voices and joined protests to remind the “insurgent
in the White House” that America is a land of freedom, democracy and justice
and not bigotry and tyranny. Here at home, Fela, and his cousin, the Nobel
Laureate Wole Soyinka, Chinua Achebe and others as well, have shown the power
of creativity and stardom as a veritable vehicle for social change and justice.
Artists and their art, and their movement from stage, or the printed page, to
the public arena of action have always saved humanity, by humanizing man. This
has been the case from Sophocles, all through time and history to Olanrewaju
Adepoju, Beyonce and Kanye West.
But activism
comes with a price. Tuface obviously didn’t bargain for that. He received
enormous support. His announcement of the February 5, later February 6 protest
energized the angry, frustrated Nigerian base, and drew our unrelenting
“children of anger” back into an overdrive on social media. The international
community also became interested, waiting to see the effect of a protest driven
by star-power in Nigeria. It was coincidentally a season of protests across the
world: in the Gambia, there had been protests against Yahyah Jammeh with a
positive outcome, in the US, the UK and elsewhere, Donald Trump’s travel ban on
seven Muslim-majority countries and his misogyny led to protests on both
counts, and in the case of the former, a Federal judge has given a ruling that
has resulted in the suspension of the ban. In Cameroon, concerned citizens are
protesting over discrimination against English-speaking Cameroonians. In
Romania, a sea of protesting citizens has just had its way. There is all around
the world, right now, a resurgence and affirmation of people power, be it
Brexit or left-wing activism in Europe. Individuals and groups lead such
moments in history- what makes them different is the fire in their bellies and
their readiness to command the revolution, at great personal risk.
It looked
initially as if Tuface had that burning fire in his belly, but he couldn’t make
that leap between self-preservation and the risks of rebellion. He had appeared
on television. He spoke confidently about the need for real change in Nigeria.
He encouraged Nigerians to come out en masse to support the movement. He even
announced the colour and dress code of the protest. His wife stood by him and
she, too, talked about her husband’s convictions about national progress and good
governance. Each time Tuface appeared in the media, during those five minutes
in the sun, he looked bright and determined. But everything changed late
Saturday evening. The recorded video of Tuface’s volte-face, announcing the
cancellation of the Feb. 6 protest showed him looking dispirited, broken,
ashen, as if he had been shaken up and chastised. He looked unsettled with his
scraggy, uncombed beard. It is not difficult to know when a man’s balls have
been squeezed.
Tuface
actually deserves our sympathy. He must have gone through a lot of pressures
that broke his spirit. His capitulation makes us appreciate even better the
heroism of those who always stood up to dictatorships. His example is indeed a
great lesson…And I mean that positively for the fact that…Despite the massive
support that he received, he also received a lot of discouragement. An old ally
of his, some guy appropriately called Blackface was one of the first persons to
blacken the idea of the protest. Some Nollywood, belle-forever-face-front-chop-money-money-finish-carry-go
characters also opposed Tuface. Some musicians too, although in the long run,
Tuface was able to mobilise the support of every section of the Nigerian
community at home and in diaspora. By Saturday when he poured cold ice on the
whole thing, the protest had even grown beyond him, much larger, with others
seizing the initiative and turning what he had thought would be a small show
into a nationwide and diaspora event. At that point, Tuface was no longer the
singer of sultry songs, but the symbol of a rebellion. The enormity of that
potential must have frightened him. He didn’t have the courage to see it
through. Leadership is about courage. A coward can never lead a rebellion.
But we
should struggle to understand his situation. He was accused of having seven
children from three women, which is an absolutely stupid point. An artist does
not have to be a saint. We relate to their art and their engagements with
society on the basis of the positive value that they bring forth. It is also
possible that Tuface received pressures from his multiple in-laws, and even the
Baby Mamas defending their stakes in his life. The official wife must have been
accused of trying to encourage him to get into trouble so he could get killed
and she alone can sit on his estate. The Baby Mamas and all the in-laws must
have called to remind him that his children are still very young and he needs
to be alive to be their father and so he should think twice before going to use
his chest to stop Nigeria Police bullets. Family members, to whom he is
obviously a breadwinner, must have advised him to stay with his singing and
dancing and not get involved in politics. They would remind him how Fela’s mum
got killed and how Fela’s house was razed down, and how every artist who dared
the Nigerian government ended up in exile or in prison or with a strange motor
accident.
The Nigerian
government was of course unhappy with the planned protest, and the idea of it
created enormous confusion in Abuja and Aso Rock. While the office of the
Acting President spoke about the right to protest and the government not having
anything against the expression of fundamental human rights, the Office of the
President on vacation made it very clear that the would-be protesters are enemies
of the government of the day and sore losers. Those two seemingly contradictory
impressions from Aso Rock can only point to one thing: high-level intrigue
within. That is probably why the Nigeria Police kept shuffling: we don’t
approve of the protest, we do, we don’t, we beg. The timing says it all also.
With the President out of the country, and the plan of the protesters to
welcome him with a Trump-like protest from Abuja, to Lagos, Port Harcourt, Uyo
and Akure, and in parts of the Western world, the damage would have been
incalculable. And Tuface would have been held responsible for leading the
sabotage. No Nigerian government since 1999 has benefitted from any mass
protest. The anti-third term protest hobbled the Obasanjo government. The
Jonathan government never recovered from the pro-fuel subsidy protests of
January 2012. Tuface and his planned protest had set the stage for a similar
prospect for the Buhari government.
What Tuface
imagined was a clean-hearted civil action would have resulted in absolute
panic, with some informal voices in and around government doing dangerous
analysis on ethnic and religious grounds. Reckless hypotheses such as the
following: (a) “so, as Baba hand over this thing to Osinbajo so, the only thing
his Christian brothers think they should do is to organize a protest in Baba’s
absence?” (b) “You don hear say Osinbajo’s office say people have right to
protest? So, Baba cannot even travel on vacation again. Walahi, these Yoruba
people cannot be trusted.” (c) What are these security people doing? If they
are loyal to Baba, by now they should have invited that Tuface, and ask him
about the two SUVs that Akpabio gave him and his wife when they got married.
They should show him strong evidence that the SUVs were bought with Akwa Ibom
state government money and he should pay back the money or get ready to be sued
for being an accomplice in a case of diversion of public funds. (d) Or you
could have some people affirming the narrative that was put out by the APC and
friends of the government of the day viz: “this is the PDP at work. Tuface must
be an agent of PDP. Why are our own APC people sleeping? Baba no dey around,
they want to pull down the country. So, Tuface is now working with Ayo Fayose
of Ekiti, to embarrass Baba? This Osinbajo, can we trust him?”
By pulling
the trigger at this time, Tuface simply put a lot of people under pressure and
placed their jobs and loyalty at risk -no doubt about it, they must have come
after him with a sledgehammer to stop and discourage him. Clear evidence: a
counter-revolutionary #IstandwithBuhari protest has already been announced to
last for two days. The Tuface revolution that has been abandoned by its main
motivator teaches us more lessons about the dynamics of power in Nigeria and
the temperament of the resident power elite. Will the protest now take place on
February 6, without Tuface? Or will everyone hold fire and down their tools of
anger? What is certain, however, is that Tuface is likely to sit at home
tomorrow with Anne, his temptingly pretty wife by his side, watching the latest
episode of Big Brother Naija on TV, with chicken and salad before him, and a
bottle of wine, and one of his hands, innocently setting the stage for the
amorous prelude for child number eight. With his wife telling him: “don’t worry
yourself dear, Nigeria is not worth dying for. Who wan die make e go die. You
have tried your best, my darling husband!”.
That is how
many would-be heroes become anti-heroes, and their dreams die a-borning. If the
protests go ahead on February 6 as many are threatening, nonetheless, Tuface
would lose a lot. If it doesn’t go ahead, he would still lose.
The torch of
protest that he has lit may not burn on the streets of Nigeria; it is burning
already in the minds of the people. He may have chickened out, but he has
already achieved the goal of his initial plan. He has by lending his star power
to an anti-Buhari protest, expanded the population of angry Nigerians. He has
given voice to their anger and fears. His withdrawal from action will not
excuse him. Whatever anyone tells him, in the long run, he would still be
punished for his bravery and cowardice on both counts. He should not be
surprised if for the next few months, he doesn’t get invited to any concert, or
performance contract, or if he gets to perform anywhere, he could be booed off
the stage. He should not be surprised if his phones stop ringing, or if it
rings at all, he could be told: “call me on what’s app I beg, I don’t know if
they are monitoring your calls.”
Let no one
blame Tuface. His stage name Tuface is the name of Janus: the two-face Greek
god, who looks in two directions. When it mattered most in his career, Tuface
Idibia answered the call of his name!

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